by MikeAlan » Tue Dec 30, 2008 8:17 am
Fun, controversial thread. Those commenting on our individual touch & it's effect on tone & how sometimes simple is best, make very good points. Michael Hedges didn't need much to make amazing music. Ditto, Leo Kottke & so many more. I'll go in another direction.
What makes a great guitar anyway? The looks, playability, overall comfort, price, sound(s), effects of some sort, what else? We weigh each in our own way & that's our guide to what makes any of these pieces of wood "special".
I love Fenders, though I don't own 1 anymore. I'd buy back my 1st guitar, a Fender Strat, in a heartbeat! The neck was amazing.
In the original post, you say it's time to move on. I've never played or researched a Parker, so don't know what puts them on the bleeding edge. When I think revolutionary, I think of Ned Steinberger's TransTrem. My P-series is an odd-looking, headless wonder shaped like a cigar box of sorts. Not a pretty piece! Thanks to his use of composites, I know it'll be in tune whenever I grab it! It was made over 20 years ago & it's needed no mods of any kind. For me, it plays like a dream, which is why I call it, Old Faithful". Oh, sounds great too!
Line 6 Variax. That's moving on. I dig mine: strange look with no pickups, variety of tones that can be modified, fast for "open tuning" changes, plays nice, no pickup hum when playing near a PC, nice price.
Floyd Rose's line of guitars make for quick-change of a broken guitar string. Not so important to me, but am sure it is to those who gig often, love a Floyd trem, & really tug on that high E.
How about Emmett Chapman!?! The Stick is amazingly innovative: 8, 10, 12-string monsters for real tap or touch-style playing. The "NS" is on my wishlist.
Fernandez fretless guitar with the sustainer pickup ... that's going off into new territory for most of us, I'm guessing.
I could go on. Coming full circle, was it Fender who brought us the B-Bender? There was some ingenuity there!
"Before I studied the art, a punch to me was just like a punch, a kick just like a kick. After I learned the art, a punch was no longer a punch, a kick no longer a kick. Now that I've understood the art, a punch is just like a punch, a kick just like a kick." Bruce Lee