Musicians around the world have one thing in common: American and British Rock'n'Roll. No matter if you're from Sweden, France, Brasil, India - you will know Hotel California and Stairway to Heaven.That's the music that's been played on my high school parties, too.
Nevertheless, none of those made me pick up the guitar 25 years ago. What got me started as a musician was that I just HAD to know how to play the lead riff of a song called "Verdamp lang her" by a German band called BAP. No-one outside Germany will know that band. But if you fellows from the Anglo dominion ever throw a party with some German guests present and put this song on for them, I guarantee you will see grown men cry:
http://www.youtube.com/watch?v=xKkVV3QGJpAYou will notice the subtitles on this video - they translate this German song into, er, German. BAP are from Cologne and sing in the local dialect that's so strong that people from outside Cologne need translation. As always with German music, the lyrics are moving and thoughtful, but all that counted for me back then was the guitar riff. When I play it in a music store today, checking out some new gear, all heads turn, some guys nod, everyone smiles.
Seeing grown men cry - you'll get the same effect with Karat, "Der Blaue Planet".
http://www.youtube.com/watch?v=Ru12PkPGN8sFor many Germans, the memories connected with this song have an urgency that no foreign song could match. Karat was a band from East Germany, and when this song came out, tensions were still high, the Cold War was still on. And then, all of a sudden, this song was everywhere. The lyrics spoke to everyone, the melodies gave everyone goosebumps. How could "the enemy" come up with a song that touched us all, that spelled out what we felt, that we all wanted to listen to, on the school yards, on the bus home, on the radio after dinner? "Does our earth dance with herself in a fever? Do we find happiness only in a play of neutrons? That kiss and the word that I gave you yesterday - shall it be our last yet?" - that was powerful stuff in the early 80s when international relations were counted in nuclear warheads.
And no-one could grow up in Germany in the past 30 years without the soundtrack provided by a guy called Herbert Grönemeyer. Some of you might know him from the movie "Das Boot" - this is how he looks these days:
http://www.youtube.com/watch?v=UUg3yP2f7gwWhy am I writing all this? Firstly because it's always interesting to think about where one's coming from, what we all have in common and what differences there are. But secondly, I know for a fact that also in France, Sweden, Brasil and India there are these bands and songs that no-one knows but the locals and which are as powerful as Hotel California and Stairway to Heaven. I'd like to hear about them!