Is one of the purposes of rifflink to eventually license out , say, to some Canadian record label (or Amercian, or Chinese whatever) so They can manage the content produced by its artists?
Its a question of intelectual ownership rights.. For instance if Capitol records had a bunch of ideas it was working on with their collaborating artists, Im sure they would not be passing the Master copy of those unfinished
HIT ideas around to Rammit Records. It certainly would not be very smart. And its definatly not beyond the reach of experienced teams of sound engineers, producers and artists to identify the best elements of those ideas, mix em up a little , develop them a bit, while excluding the primary creator(s) of the HIT SONG material.
Might be bad news for some Would-be Professional musicians just dumping all their good ideas into one big computerized database. Dont worry though, Im pretty sure Sonoma plans to license the rifflink/riffwork technology out privately.
