Sandman wrote:I bought one of those "Jellyfish" picks with the the wire strands that are supposed to roll across the strings for more sound.
Ha!
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Sandman wrote:I bought one of those "Jellyfish" picks with the the wire strands that are supposed to roll across the strings for more sound.
blue4u wrote:Sandman wrote:I bought one of those "Jellyfish" picks with the the wire strands that are supposed to roll across the strings for more sound.
Ha!I got stuck with one of those too. If you ever figure out what the hell to do with it let me know...

EvanBerard wrote:Let's see: Lots of funky picks that are just plain ugly, slides that are too big, Eggs, triangles, a Jimi Hendrix toy, a footstool, a tuner which I don't use because of the pod X3, winder, straps, stands... wowblue4u wrote:Sandman wrote:I bought one of those "Jellyfish" picks with the the wire strands that are supposed to roll across the strings for more sound.
Ha!I got stuck with one of those too. If you ever figure out what the hell to do with it let me know...
Me too!Speaking of picks, this is the only pick I use. Great solid pick, does not bend, and just feels so natural when I play.
http://img3.musiciansfriend.com/dbase/pics/products/tn/0/6/6/487066.jpg
rpinon69 wrote:At $13 bucks each for that Dunlop Jazz pricey. How long does it take you to wear one out? I would lose it or leave it in my pockets and it would get lost in the wash. Ha Ha
Thanks
cwight wrote:$13 a pick...Trust me Evan try these, 2 for $.99....you won't regret it. I use the 2.mm light purple. Not that I use a pick that much actually....
http://www.stringsandbeyond.com/jimdubigstgu.html
Bill wrote:Evan, if you've already lost the plot at your age I'm afraid there's no hope for ya mate
Wedgebill wrote:Jim Dunlop .46 Nylon here, still got one red one left over from late 70's !!! Give em a slight kink between thuimb and 2 fingers and they get plenty stiff enough, pity I can't say that about everything nowadays
Evan, if you've already lost the plot at your age I'm afraid there's no hope for ya mate
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