Sonoma Wire Works: DrumCore 4 Ultra Content List

GrooveSets: Lite | Prime | Ultra • Drum Kits: Lite | Prime | Ultra

DrumCore 4 Ultra GrooveSets List

DrumCore 4 Ultra contains 50 GB of content, including 404 items (265 GrooveSets (22,000 audio and 3,000 MIDI loops and fills) by 18 drummers, and 139 multi-velocity sampled kits). DC4 Ultra is offered as a download. All GrooveSets and Drum Kits by all DC4 drummers are listed and described on the Drummer Bios page and are available for preview and purchase in the store built into DC4. Buy DC4 Ultra (Upgrade/Crossgrade/New) for $399-$639. DrumCore 4 Ultra Plus ($2999) is a different product that contains over 90 GB of content, including 930 items (the entire DC4 Library as of 12/2020). Email sales@sonomawireworks.com for upgrade/crossgrade info.

A DC4 GrooveSet is a series of rhythmic loops and fills (audio and/or MIDI) that have a cohesive feel to them. The number of loops and fills varies for each GrooveSet.

Below is the list of GrooveSets in Ultra. See the Drum Kits in Ultra.


	Drummer	GrooveSet	Description	Genre	Audio Loops and Fills	MIDI Loops and Fills
1	Alan White	AW Brownesque	Funk grooves with a straight eight note feel, splashy rides, and pitched toms that are great for adding variety to chorus and bridge parts. Alan's signature tight kit cuts through just about anything you can throw at it making sure the foundation of your track is solid.	Funk	105	15
2	Alan White	AW Funk E	Heavy-hitting Funk groove with a busy kick and snare. An eighth note ride groove compliments the main rhythm as a perfect chorus.	Funk	18	5
3	Alan White	AW New Day	Versatile Rock grooves with loads of variations including sixteenth note hi-hats, eighth note ride cymbals, thundering tom fills and an in-your-face snare.	Funk	65	11
4	Alan White	AW Owner	Mid-tempo Pop groove that leads with a open hi-hat on the one, then quickly settles into an eighth note hi-hat rhythm.	Rock	9	2
5	Alan White	AW Rock A	Heavy, dragging Rock grooves anchored by a sloppy open quarter note hi-hat. Crashing eighth note china cymbals and piercing ride bells add just the right accent for a chorus or outro.	Rock	38	16
6	Alan White	AW Rock Fills	The set of Rock fills include beautifully recorded pitched toms and hard-hitting snares.	Rock	21	3
7	Alan White	AW Silhouette	A set of 6/8 shuffles with an eighth note hi-hat and ride. Intricate tom fills round out these grooves, adding subtle complexity.	Rock	51	13
8	Alan White	AW Six Gun	This large GrooveSet contains loops with a 6/8 feel, with added extra beats to create odd time signature mayhem! Included are enough fills and alternate parts to complete your epic progressive rock masterpiece! NOTE: Some of these loops have strange time signature labels to insure they play properly in your DAW.	Funk	158	14
9	Alan White	AW Sound Chaser	Another of Alan's larger GrooveSets, this collection includes dozens of loops in 4/4, 6/4 and 5/4 time. Several grooves leave the snare off, for a unique timbale-like tone, along with some great sixteenth note hi-hat and ride rhythms.	Funk	174	14
10	Alan White	AW Survivor	This is a versatile straight eighth note Rock groove that makes for a great utility player set. Use it in a wide range of song parts, and in a variety of genres!	Rock	12	6
11	Alan White	AW Trips	These up-tempo Rock shuffles add a nice amount of swing while being locked in the the 4/4 time signature. Expressive hi-hats and piercing ride bell keep these shuffles from losing momentum.	Rock	22	7
12	Alan White	Changes	This set of rhythms from Alan really showcases the full range of meters he can play. Grooves range in meter from the way-out 17/8, to more standard odd times like 6/8 and 7/8, with a few 4/4 patterns for good measure. This set comes packed with over a dozen variations with different dynamics and voicings: rides, hats, no kick, and even some punchy tom fills, for those epic prog breakdowns.	Prog Rock	187	11
13	Alan White	Endless Dream	Slow dreamy grooves, with a slightly frenetic edge. Tight snares and ghost note variations give these loops a driving feel that easily drifts from 50 to 80 BPM.	Prog Rock	104	14
14	Alan White	Full Throttle	A real 6/4 workout from 105 to 145 BPM, with a ringing snare that won't let you forget where the 3-FOUR and the 5-SIX are.	Prog Rock	201	16
15	Alan White	Machine	Cool and tight sounding progressive loops ranging from 140-160 BPM, including rhythms in 4/4, 7/4 and 9/4.	Prog Rock	82	18
16	Alan White	Shoot High	Classic Alan grooves with the snare on the 3 that are great for sketching out song ideas. Versatile rhythms that build from sparse and basic to sixteenth note hi-hats and dramatic variations, ranging from 85-105 BPM.	Prog Rock	69	10
17	Alan White	Snow White	Big room sound Rock rhythms, with a kick that cuts right through the mix, and hi-hat and ghost note accents that give these mid-tempo shuffling beats a lot of movement, while still being fundamental in their composition. Variations include 1/2 time, flavors of snare accents with ghost notes, and fills with turnarounds.	Prog Rock	162	15
18	Alan White	Square Seven	In 7/8! A vast array of variations, including China rides and punches, plus a few bits of 4/4 to cut in for the bridge or to build your own time signatures. A tight sounding kit accenting the click of the hats and the crack of the snare.	Prog Rock	100	18
19	Basic Beats	!Rock Pop 101	Basic Rock/Pop grooves with loads of subtle variations. Perfect base material to write to whether you choose to keep these beats or replace them later with more complex grooves.	Funk	759	76
20	Basic Beats	6/8 Blues	Bluesy, 6/8 shuffle grooves with variations including rides, fills, intros, and stops. Perfect starting point for Blues, Country, or Rock tracks.	Funk	334	64
21	Basic Beats	Basic Rock	The building blocks of a textbook Rock and roll track. Kick and snare, hi-hat and eighth note ride cymbal. Simple, versatile and timeless.	Rock	28	4
22	Basic Beats	Basic Shuffle	4/4 stomping shuffle with a nice swinging groove. Also includes a nice splashy ride variation for a chorus or bridge.	Blues	22	3
23	Basic Beats	Basic Soul	Old-school 60's style Motown/Soul rhythms with steady 4/4 snare hits. Perfect for a retro Pop/Soul/doowop composition.	R & B	17	3
24	Basic Beats	Motown	Another retro Motown-style collection of grooves with rocking 4/4 snare hits. This GrooveSet includes subtle variations and a collection of rhythms with tambourine, great for breakdowns and choruses.	R & B	264	27
25	Basic Beats	Rock Ballad	Powerful Rock ballad drums with loads of intros, fills, variations, and endings. The main grooves feature an in-your face snare sound, but variants include rhythms with side-stick instead, to really mix it up.	Rock	226	31
26	Ben Smith	BS Jump	Old-school 60's style Motown/Soul rhythms with steady 4/4 snare hits. Perfect for a retro Pop/Soul/Doowop composition.	Rock	99	12
27	Ben Smith	BS Modslam	Funk-infused Rock/Pop grooves with some interesting tom-heavy fills, making them versatile for a wide variety of genres.	Rock	90	12
28	Ben Smith	BS Oil	Tight Funk grooves with a huge kick sound and muted, dark snare. The big room sound in these loops gives them lots of dynamics, making them great as the backbone to an alternative or Funk track.	Alternative	58	8
29	Ben Smith	BS Shofunk	Heavily swung Funk shuffle grooves that call to mind \"The Big Easy.\" Half march, half parade, 100% Funky.	Funk	81	12
30	Ben Smith	BS Simrock	Simple Rock grooves with an eighth note hi-hat patterns and ride cymbal variants. Comes with basic fills and a no-kick variation. These rhythms are ideal for crafting a song with lots of room in the mix for melodic elements.	Rock	108	12
31	Ben Smith	BS Simslam	This GrooveSet contains a variety of both simple and complex Funk rhythms along with matching fills and variations.	Alternative	224	11
32	Ben Smith	BS Tuna	Choppy alternative-style loops with a darker snare tone and booming tom hits. Eighth note ride patterns add variation to this set, and work well for bridges and choruses.	Alternative	70	9
33	Ben Smith	BS TV Foot	Shuffling Pop-Rock grooves with side-stick snare, a punchy kick drum, and a long reverb tail. These rhythms are sparse and simple, making them great for a wide variety of genres including Alternative, Rock, Pop, and even Funk.	Alternative	42	8
34	Ben Smith	BS Twelves	The triplet hi-hats give these 12/8 grooves a distinct shuffle, with no-kick and ride variations that are ideal for breakdowns. This GrooveSet also features complex fills as a perfect complement to these laid-back grooves. Works well for blues, Rock, and Pop.	Rock	117	13
35	Ben Smith	BS Your Way	Stuttery stop-and-go alternative-style rhythms with both a darker and brighter snare tones, and lots of hat and ride variations. Includes a heavy eighth note crash loop along with some tom-heavy grooves.	Alternative	142	13
36	Click Tracks	Click Tracks	Basic MIDI patterns to use as a click track when recording, with both eighth and quarter note resolutions, and a variety of accents, for helping you nail down the feel you're after.	Click Tracks	0	25
37	Gregg Keplinger	GK BeBop	Bebop style grooves with an intimate, jazz club feel, and heavy Blue Note influence.	Jazz	222	18
38	Gregg Keplinger	GK Jazz Brushed Ballad	Slow, brushed rhythms with a subtle bit of swing in a classic bebop style.	Jazz	90	0
39	Gregg Keplinger	GK Jazz Waltz	Mellow jazz loops in 3/4 time, and a touch of swing, with a heavy Dave Brubeck influence.	Jazz	76	15
40	Jeff Anthony	JA Ballad	Slow, sparse patterns with a touch of reverb, and a jazz kit feel. These grooves are dominated by a dark snare sound, and minimal kick drum.	Alternative	70	8
41	Jeff Anthony	JA Blue Train	Minimal Jazz rhythms with a snare-less snare sound, driving triplet feel, and satisfying polyrhythms.	Alternative	26	5
42	Jeff Anthony	JA Jungle	Heavy tom rolls and a booming room sound dominate these loops, while subtle, eighth note accenting gives each rhythm a driving backbeat.	World Music	40	6
43	Jeff Anthony	JA Psycho	Snare hits on the three and a full-bodied kick sound give these grooves a jazzy, shuffling feel, while anchored in 4/4 time.	Alternative	61	8
44	Jeff Anthony	JA Rock	Straight Rock rhythms, with kick on the one and three, and snare hits on the two and four, just like mom used to make.	Alternative	42	7
45	Jeff Anthony	JA Stoned	Half time rhythms with a dark snare sound, and washy, grunge style cymbals.	Alternative	35	5
46	Jeff Anthony	JA Sun	Knocking snare-less snare over hi-hat triplets and driving ride rhythms give these loops an unmistakeably 90's indie rock feel straight outta Olympia, WA.	Alternative	56	9
47	Jeff Anthony	JA Tekno	A heavily-filtered, metallic snare steals the spotlight in these loops, which also feature sixteenth note hi-hats, and a punchy kick.	Alternative	23	5
48	John Bishop	JB Ballad Brushes	Classic, jazzy brushed snare rhythms, with only a touch of hi-hat for subtle accenting.	Jazz	20	0
49	John Bishop	JB Bossa	Simple bossa nova grooves with a very intimate feel. Perfect for writing a new jazz standard!	Latin	80	17
50	John Bishop	JB Green	Uptempo bebop rhythms with a swing-influenced shuffle, and driving cross stick backbeat.	Jazz	39	8
51	John Bishop	JB Jazz Ride	Classic ragtime-style ride rhythm.	Jazz	18	1
52	John Bishop	JB Jazz Shuffle	Shuffling ragtime patterns with a heavy focus on hat and snare.	Jazz	33	5
53	John Bishop	JB Lead-Ins	Jazzy lead-in fills perfect for getting your groove started!	Jazz	56	2
54	John Bishop	JB Mainstream	Basic jazz rhythms for those times when you need a cliché in your rhythm section.	Funk	112	0
55	John Bishop	JB Medium Brushes	Bright, swung jazz rhythms, played with brushes.	Funk	57	0
56	John Bishop	JB Sidewind	Straight hard bop rhythms with a distinct 60's jazzy vibe. These grooves have that vintage Blue Note feel.	Jazz	60	6
57	John Bishop	JB Somba	Hard fast samba rhythms, with a rolling feel, and ringing snare. Great for layering a horn section over the top!	Latin	16	7
58	John Bishop	JB Somba 2	More samba rhythms from John Bishop! These grooves feature even more complex rhythms than JB Somba, for when you want ghost notes and a live feel.	Latin	18	3
59	John Bishop	JB Took 5	This 5/4 rhythm is exactly what its name hints at--that classic cool Jazz pattern that is so well-known it's hard to miss. As expected, a sparkling ride tone dominates here, giving this groove gratifying movement.	Jazz	18	0
60	John Bishop	JB Waltz	These cool Jazz rhythms in 3/4 make for a refreshing break from the standard 4/4 that tends to dominate. Here, John keeps these grooves simple and to the point--soft snare rolls, ride rhythms on the offbeat, and biting, concise hi-hat chicks.	Jazz	129	16
61	John Bishop	JB XStick	If you're a fan of cross stick rhythms, this GrooveSet is for you. These high-energy BeBop rhythms are off the charts.	Jazz	48	9
62	John Tempesta	007	Fast, Agressive, and ready to the fight the system. These high-octane thrash Metal beats are heavy and driving. Just the ticket for making no apologies in song form..	Metal	103	28
63	John Tempesta	Bronx	With steady backbeat and metronomic hi-hat sixteenth note patterns, these upbeat Alternative grooves are great anything from Hard Rock to Progressive Metal.	Metal	107	26
64	John Tempesta	China Town	If you like your Metal technical and with prominent double pedal on the kick, and an distinct thrash-style edge, these beats are just the foundation your epic song needs.	Metal	53	16
65	John Tempesta	Eastside	Double kick Metal beats are just the kind of thing that take a song from \"alright\" to \"brutal\". If growling vocals and layered finger-tap guitar licks are your thing, you need these rhythms holding it down.	Metal	121	36
66	John Tempesta	Fort Apache	These grooves feature heavy low double pedal on the kick and sonorous toms--exactly what you hear before the Earth splits and smoke and fire rise from the underworld.	Metal	123	26
67	John Tempesta	Freud	Whether you're doing a nice little 2-step or you're bobbing your long flowing Metal locks during a breakdown, this GrooveSet has the perfect rhythms for slowing things down while still keeping it heavy.	Metal	88	36
68	John Tempesta	General Patton	John really shows his mettle in this GrooveSet, which features his highly technical Metal drumming skills in a wide range of tempos--and he still manages to surprise. These tight rhythms have ghost hits and satisfying turnarounds peppered throughout, making this set everything you need for each song part. From Post-Hardcore to Speed Metal, we've got you covered.	Rock	349	48
69	John Tempesta	Grappa	These brutal beats are made for getting the pit moving. The interplay between the kick on the quarter and the snare on the and of each beat makes for a driving feel that's perfect for those energetic moments when the crowd looks like a vortex.	Metal	87	36
70	John Tempesta	Green Machine	Machine is right--these blazing-fast Metal beats are as technical as they are varied. You're going to want to layer up some chugging detuned guitars over these to really do them justice.	Metal	120	58
71	John Tempesta	Julio	These beats are pure forces of Darkness, dense in their technicality, and heavy on the eighth note emphasis. With these grooves, get ready to into an epic breakdown that melts your listeners' faces.	Metal	339	80
72	John Tempesta	Lost	You know that moment when the pit is getting ready for something massive to drop? These beastly rhythms--that vary from fast to blazing fast--are just the the tom and double pedal kick builds for just those times. This is technical Metal drumming at its very finest.	Metal	107	34
73	John Tempesta	Maclay	If you're looking for a Metal GrooveSet that covers all your bases, this is the best place to start. From doom to thrash to hardcore, these rhythms are just the thing for building a wide range of all shades of brutal.	Metal	465	42
74	John Tempesta	Soho	John rains on the cymbals and hi-hat in these versatile Metal rhythms that deliver both in variety of fills and in sheer driving force. Whether it's Hard Rock or Alternative, you really can't go wrong with uptempo, cranking grooves and steady eighth note accenting.	Metal	108	30
75	Lonnie Wilson	Boom Chuck	True to their name, these good ol' fashioned Country beats have the boom on the beat and the chuck on the and, for that classic, Nashville-style swagger. Emphasizing this beat pattern, this GrooveSet contains loops ranging from a mellow 65 BPM, to a driving 125 BPM.	Country	115	11
76	Lonnie Wilson	Boom Chuck Blastix	Boom on the beat, chuck on the and, these Country rhythms are classic in their style, but with a twist: Lonnie plays them with rute drumsticks, giving them a feel midway between your standard drumstick and the softer tone of brushes.	Country	61	11
77	Lonnie Wilson	Boom Chuck Brushed	The perfect \"giddy up\" for any cowboy writing his next heart-tugging hit, these brushed boom chuck rhythms played with brushes are great for a softer Country tune. You'll want to get out your lap steel to play over these!	Country	63	10
78	Lonnie Wilson	Brushed 6-8	These grooves are built for dropping into those profound moments in your Country ballad--the ones that make the listener feel what you felt when you wrote it.	Country	36	13
79	Lonnie Wilson	Brushed Waltz	These soft, brushed grooves in 3/4 are custom-built for that shuffling, Country Waltz ditty you've been working on.	Country	52	5
80	Lonnie Wilson	Country Rock	Looking for big and fun grooves that are perfect for crafting a good time tune? These heavy-hitting beats are sure to give your tune just enough Country bravado, but with some serious Rock 'n' Roll grit. Featuring a booming, big-room sound, and a heavy kick that cuts right through the mix.	Country	215	40
81	Lonnie Wilson	Country Shuffle	Featuring shuffling Country rhythms in a wide range of tempos, this GrooveSet packs quite a lot of punch!	Country	287	18
82	Lonnie Wilson	Country Shuffle Blastix	Lonnie plays these shuffled grooves with rute drumsticks, giving them a softer tone. Perfect for giving that new Country tune you've been working on some down-home character.	Country	96	15
83	Lonnie Wilson	Country Shuffle Brushed	Highly recommended for a subtle, Nashville-style intro to your next Country number! These shuffling rhythms have all the click and bite on the kick, with the rest of the kit played with brushes, giving them a nice balance.	Country	113	17
84	Lonnie Wilson	Cryin Time	Downtempo Country rhythms, made special for those ballads that pull on the heart strings. Whether it's big, souful breakdowns, or quiet verses with just kick and cross stick, this GrooveSet has just what your need for singing a sad, sad song.	Country	96	19
85	Lonnie Wilson	Dog Titty Titty	The overall feel in these 6/8 ballad beats makes them perfect for softer, souful songs, and though they may have a distinct Country feel, their subtlety makes them versatile enough for Pop and Indie Rock, too.	Country	92	20
86	Lonnie Wilson	Hoo Rah Ridge Blastix	These no-nonsense rhythms are fun and straight to the point. Boom chuck style Country beats played with rute drumsticks, flashy snare patterns peppered throughout, and enough attitude to leave you asking--is there any other kind?	Country	100	8
87	Lonnie Wilson	Hoo Rah Ridge Brushed	Great for transitions and softer sections for your Country hit, these boom chuck rhythms are about as punchy as you can get with brushed snare beats.	Country	76	11
88	Lonnie Wilson	LW Alt Country	With a distinctly Country feel and a downtempo Alternative vibe, these grooves are just what you want for making a crossover track that blows them away.	Country	192	41
89	Lonnie Wilson	LW Alt Country Blastix	Shaking up Alternative and Country, this GrooveSet carries lots of warm tonality. Lonnie plays these rhythms with rute drumsticks, and you can hear how the subtle reverb on the mix lets the talls on each hit give the loops lots of high end texture.	Country	48	19
90	Lonnie Wilson	LW Alt Country Brushed	A Country GrooveSet fit for blurring the lines between genres, these brushed rhythms have all the making of an Alternative ballad, with some extra flavor, giving you the freedom to push boundaries.	Country	50	23
91	Lonnie Wilson	LW Ballad Blastix	When your arrangement is lush and full, and you want downtempo rhythms that cut through the mix, keep this GrooveSet handy. Lonnie plays these subtle Country rhythms with rute drumsticks, making his snare hits just sharp enough to give them some pop, while still having a softer edge.	Country	83	20
92	Lonnie Wilson	LW Ballad Brushed	For smaller, more intimate arrangements, these downtempo brushed Country grooves make for the perfect laid back vibe.	Country	39	17
93	Lonnie Wilson	LW Half Time Ballad	Sparse half time ballad rhythms, with just enough movement to drive a soulful performance. If a Country power ballad is a thing, these are just the right beats.	Country	99	25
94	Lonnie Wilson	LW Half Time Ballad Blastix	The smooth sound of Lonnie's rute drumsticks give these half time ballad rhythms a much softer tone, making them an ideal foundation for slow Country anthems.	Country	33	13
95	Lonnie Wilson	LW Half Time Ballad Brushed	If your ballad needs a lot more space in the mix, these brushed half time rhythms might be just the right touch. Subtle and smooth, their simplicity makes them excellent for more intimate arrangements.	Country	12	8
96	Lonnie Wilson	Nick Nick Nair	Get ready to put on your boots and boogie, with these midtempo Country rhythms! These grooves were made for line dancing, but are versatile enough to use in anything from Blues to Indie Rock.	Country	73	14
97	Lonnie Wilson	Outlaw	You can hear the Funk influence in these roarin' grooves that are just calling for a twangy guitar solo, and some gravelly vocals, making these uptempo Country beats a utility player for a wide range of genres.	Funk	130	24
98	Lonnie Wilson	Power Ballad	Remember the heyday of the power ballad, with the lush layers of sound, and sing-along choruses? Well, these rhythms are just what you need to hold it all together, from the slow intro, to the big breakdown, to the repeating choruses all the way through the end.	Funk	217	45
99	Lonnie Wilson	Train Shuffle	Country rhythms with such an unmistakable, chugging feel that you can practically hear the train whistle already. Lonnie throws in a shuffle in these rhythms, giving each loop enough movement you may just miss your station!	Country	68	12
100	Lonnie Wilson	Train Shuffle Brushed	These Nashville-style Country rhythms have that shuffle you know so well, and boy can it be throughout this versatile GrooveSet!	Country	41	3
101	Lonnie Wilson	Train Straight	Straight rhythms. Straightforward. Straight Country. These rockin' beats with a steady marching feel are just what you need for gettin' the job done.	Country	260	20
102	Lonnie Wilson	Waltz	If you've ever wondered whether a slow Waltz has a place in Country, these rhythms will surely set you straight. Just make sure you've got your lap steel handy for those heart-rending breakdowns!	Country	84	14
103	Lonnie Wilson	Waltz Half Time	When you want a rhythm that punctuates a a slower tune well, but you need a lot of space in the mix for a larger arrangement, look no further than these 3/4 Country grooves. They've got long reverb tails, big room feel, and just enough oomph to give any ballad a subtle swing.	Country	74	20
104	Luis Conte	Basic Perc Agogos/Triangles	A bright collection of agogo and triangle rhythms--perfect for adding high end texture to your drums.	Funk	51	7
105	Luis Conte	Basic Perc Djembes	The warm, resonant tone of the djembe is fully captured in these Latin rhythms. Luis plays a wide range of patterns, making this GrooveSet especially useful for when you want to add both bright tones and polyrhythms.	Latin	50	5
106	Luis Conte	Basic Perc Guiros	Looking to add some guiro accenting to your kit? These guiro-only rhythms will add a satifying, finishing touch to your rhythm section.	Latin	16	3
107	Luis Conte	Basic Perc Shakers	Varying in both pattern and timbre, these shaker patterns are perfect for giving depth to any percussive segment--even beyond 4/4 time.	Funk	86	9
108	Luis Conte	Basic Perc Tambourines	Ah, the tambourine--probably the most commonly-used of the percussion instruments, and certainly one of the most versatile for adding movement and high end to any drum mix. If you're looking to give your kit some oompf, these tambourine rhythms are a great place to start.	Funk	74	6
109	Luis Conte	Bossa Nova	The chill vibe that made Bossa Nova so popular is alive and groovin' in these sweet and subtle rhythms.	Latin	28	4
110	Luis Conte	ChaCha	These carefree, Cuban-style Cha-cha-chá beats are breezy and light in feel. Luis keeps his rhythms elemental, sticking with congas, guiro, and timbale, and making them great for layering with that brass section.	Latin	29	4
111	Luis Conte	Churanga	Named after the general term for a traditional Cuban dance music ensemble, this set is a fine primer of basic Cuban rhythms. If you're looking to craft a distinctly Latin vibe and want some basic loops to work with, these are a great starting point.	Latin	26	7
112	Luis Conte	Clifford	These uptempo Latin rhythms heavily feature Luis' skills on the congas, and have a warm organic tone throughout. Ideal for anything from Pop to World music!	Pop	33	4
113	Luis Conte	Comparsa	This Latin style GrooveSet oozes the sounds of Carnival--that immediacy and warmth that gives any tune a bright, lively feel. These rhythms are clearly great for a wide range of Latin styles, but can just as easily fit into your favorite Funk piece.	Funk	48	6
114	Luis Conte	LC Open Heart	Latin-infused Pop has always been the gateway to new forms of musical expression, and this GrooveSet is a great place to get started. These are a much more Americanized take on Latin rhythms, with a straight feel and tambourine over the top, but boy are they a nice way to spice up your track!	Pop	36	9
115	Luis Conte	Merengue	If you use these rhythms, you won't need much more to pack a dance floor. These Merengue beats are true to form, and great for giving a tune some serious movement.	Latin	36	4
116	Luis Conte	Pop Conga	Smooth and natural, these loops can be used give some body to a wide range of percussion arrangements, from Latin, to Hip-Hop, to Pop.	Pop	53	25
117	Luis Conte	Salsa	Luis completely breaks down traditional Salsa rhythms in this GrooveSet, allowing you to use a whole, arranged rhythm, or strip it down to individual elements, so you can build the rhythm back up again, to really ramp up the intensity. No matter how you choose to use these beats, they're guaranteed to get you moving.	Latin	41	10
118	Luis Conte	Samba	The agogos really steal the show in these satisfying Samba grooves, that are jam-packed with that infectious, Carnival vibe. Upbeat and fast-paced, these rhythms are made for giving a song some serious punch.	Latin	59	8
119	Luis Conte	Shuffle	Featuring shuffling rhythms solely on the congas, this stripped-down GrooveSet is made to fit into any genre that could use some Latin flair, whether it's House, Pop, or Hip-Hop.	Pop	71	15
120	Luis Conte	Sympathy	These uptempo beats are a must-have for any Pop tune that could use some Latin influence. Luis breaks down the main loop in this GrooveSet into its elemental parts, making it ideal for crafting a dynamic rhythm section with lots of body.	Pop	24	8
121	Matt Cameron	3-4 Swing	It's hard to miss the deep punch of the kick drum in this Alternative Rock set, with a heavy Jazz influence. It's a good thing too, because it's a beauty.	Alternative	97	30
122	Matt Cameron	Back Six	These marching rhythms with a triplet feel handily toe the line between World Music and some heavy Rock 'n' Roll. The kick in these grooves slices straight through the mix, and tom rolls in the fills have a satisfyingly deep tone that can't be beat.	World Music	177	30
123	Matt Cameron	Basher 1	Basher is right--this aptly-named GrooveSet features Matt hitting the skins hard, and the payoff is HUGE sounding toms, concise snare hits, and cymbal patterns that give these rhythms urgency. You're going to want these for your Metal or Punk song.	R & B	83	16
124	Matt Cameron	Boris	This is an overall great sounding Alternative GrooveSet, but it's hard to miss the skater Punk vibe throughout these blisteringly fast rhythms. Check out the depth of the kick, too--it's enough to get you pumped and ready to jam at your next Indie/Alternative music festival.	Alternative	84	24
125	Matt Cameron	Flower 1	Alternative beats, these most certainly are, but is that a slight Hip-Hop bounce I'm detecting in some of these powerful monster grooves?	Alternative	149	22
126	Matt Cameron	MC Rock1	Stretching from down to mid-tempo, these plodding, Nu-Metal rhythms typify the genre--a dark, aggressive feel, splashy crash cymbal patterns, and hard hits on the snare and toms. Don't let that stop you there though, because these beats can easily fit into most modern Metal.	Alternative	156	32
127	Matt Cameron	Nile	It's hard to miss the pairing of the hard-gated snare with the long-booming kick in these Alternative grooves. Their character makes them versatile enough for even Indie Rock ballads, while their aggressive tone makes them ideal for Pop Punk.	Alternative	183	20
128	Matt Cameron	Nile 2	These Alternative beats have so much attitude it's hard not to snarl while giving them a listen. Perfect for dropping into your favorite tune about telling the world off with that lovable, catchy chorus.	Alternative	96	24
129	Matt Cameron	Nile 3	Matt plays these rhythms with the same intensity as the rest of his GrooveSets, but either in half time, or with minimal pieces, freeing up space in the mix to give your tracks room to breathe--or to drop in a sweet guitar solo!	Alternative	225	32
130	Matt Cameron	Rock Hall	The Dancehall influence is strong in these infectious and intoxicating rhythms, and that they're played on a Rock kit gives them a lot of bite! You'll find you want to use these drums in a wide range of World Music influenced tracks, so give it a go.	World Music	107	28
131	Matt Cameron	Sevens	Aggressive and loud is the name of the game with these rhythms, that are split between 4/4 and 7/4 time, but with similar energy, so you can switch up your meter without losing the feel of the kit.	Alternative	136	34
132	Matt Cameron	Six Underground	What do you get when you have a Rock drummer play R&B beats? If this GrooveSet is anything to measure by, a shuffling feel with a lot of grit is about right. The kit in these loops has a darker, crunchier tone, too, making these rhythms a great addition to any track that wants drums with character.	R & B	151	26
133	Matt Cameron	Skiffle Grunge	When Matt drops these Punk beats into half time breaks, it's like hearing the birth of Grunge all over again. With booming toms, and high-energy snare patterns, that bouncing, skater style is hard to miss, but there's just enough attitude thrown in to make these rhythms utility players for a lot more than at first listen.	Alternative	125	22
134	Matt Cameron	Threes	Driving Alternative beats in 3/4 time are certainly not an easy thing to find, but you've come to the right place! These rhythms have that hard-hitting feel that dominates Matt's drumming style, paired with cycling patterns that keep things interesting. An awesome way to stick to the fundamentals, and switch things up a bit!	Alternative	96	26
135	Matt Cameron	Trojan 1	When you hear a Rock drummer play Reggae rhythms, the crossover with Punk is unmistakable. These beats have a satisfying sharpness to them--cross stick that cuts through the mix, booming kick drum, and super tight patterns on the crash.	World Music	147	28
136	Matt Sorum	Alt Smash	Hard-hitting and deep with solid Rock drum tones, these beats are true to their name--they're the secret ingredient for your Alternative smash hit.	Alternative	152	19
137	Matt Sorum	Bo-nafide	There's nothing quite as fundamentally Rock as quarter note patterns on the snare, especially when hit hard enough to let the drum ring out fully. If you're itching to give your drums some punch, these grooves are made for carrying breakdowns, bridges, and choruses, especially.	Rock	69	15
138	Matt Sorum	Fill-er-Up	This GrooveSet is all Rock fills, all the time. Matt wastes no time in demonstrating the jaw-dropping technicality needed for playing the raddest fills, and these are sure to move your songs from verse to chorus in style.	Rock	239	0
139	Matt Sorum	Metal Head	Full Metal overload! These thrash-style beats are just the right amount of heavy for when you need to rock a little bit harder.	Rock	148	9
140	Matt Sorum	Motor Town	These heavy beats have the distinct flair of 70's stadium Metal, so much so you can practically hear the crowd roar!	Rock	149	6
141	Matt Sorum	Ryder	These uptempo Alternative beats are great for kicking your song into overdrive. Featuring a flat kick paired with a booming snare tone, and quarter-note emphasis, they're just the kind of rhythms that crank things up to eleven.	Rock	216	18
142	Matt Sorum	Scuffle	Heavy Rock beats . . . with a shuffle? A pairing this brilliant is enough to bend any music fan's ear. This GrooveSet features a few main loops, but it's the fills that really make it--just what you want for that turnaround into that huge chorus!	Rock	147	4
143	Matt Sorum	Snake Foot	Resonant, chaotic, and catchy, these Hard Rock beats are just the thing to give that uptempo song some serious teeth.	Alternative	45	5
144	Matt Sorum	Sorum Basic	When in doubt, keep it simple. These straightforward Rock beats with new-school energy are all the backing you need--especially when you want a lot more from your melody.	Rock	107	29
145	Matt Sorum	Sorum Funk	These basic Funk beats are plenty fundamental, and a whole lot of groovy.	Funk	70	22
146	Matt Sorum	Sorum Punk	Packed to the brim with attitude, these fast Punk beats will have you checking the mirror every 5 seconds to see if your mohawk is still holding up.	Alternative	117	30
147	Matt Sorum	Sorum Skippy	These Rock grooves skip a beat--just to pick it up on the turnaround. If you're wanting more movement in a basic rhythm, these will switch things up a bit, but with lots of attitude.	Rock	89	23
148	Matt Sorum	Sorum Tribal 2	Punchy rhythms made for bridges and breakdowns? Right here, buddy. Those toms are flawless and they're not even the high point in this energetic Alternative set--dig that killer snare tone!	Alternative	70	9
149	Michael Shrieve	MS AfroToms	Pushing the boundaries of Funk, these grooves could easily double as an Indie Rock weapon. Featuring a have a heavy, driving feel, and deep, sonorous tom tones.	Funk	64	8
150	Michael Shrieve	MS Brushed	These uptempo brushed Bossa Nova rhythms have a noticeable live feel that makes them just the rhythm section you want for a wide range of Latin and Latin-inspired music.	Latin	46	5
151	Michael Shrieve	MS Cha Cha	Less is more, and goes especially for Latin styles of music. These Cha-cha-chá style rhythms are just the thing to get the feeling across, with lots of space for crafting a dense arrangement.	Latin	57	5
152	Michael Shrieve	MS Simple	There's something to be said for keeping things simple, and with Rock grooves as fundamental as these, writing a catchy tune doesn't have to fight with your rhythm section.	Rock	148	10
153	Michael Shrieve	MS Six Afro	The triplet feel in these half time grooves is as infectious as it is just the thing to take your rhythms up a notch. With satisfying tom fills and rolls, you can infuse a wide range of tunes with a bit of a World Music vibe, just with the addition of these subtle loops.	World Music	80	9
154	Michael Shrieve	MS Tribal	These simple, uptempo tribal beats are perfect for incorporating some World Music elements into your tunes.	World Music	30	5
155	Ned Douglas/DJ Syze-Up	Brother Paul	The days when Trip Hop was a reigning genre were few, but those beats never did stop being ubiquitous in Pop music. If you're looking for something slower with a darker, processed feel, these rhythms are just the grit you need.	Hip Hop	15	1
156	Ned Douglas/DJ Syze-Up	Die	Do you wanna try your hand at making an early 90's Hip-Hop club banger? You'll need these beats to really get things jumping.	Hip Hop	24	2
157	Ned Douglas/DJ Syze-Up	Elefant	These chopped sounding beats are the kind of slow groove that makes for butter smooth Hip-Hop.	Hip Hop	28	1
158	Ned Douglas/DJ Syze-Up	Jesus	The HUGE kick in these grooves will be the savior of your next Hip-Hop hit!	Hip Hop	21	2
159	Ned Douglas/DJ Syze-Up	Long	These grooves are just waiting for you to freestyle over them--subtle but ready to rumble in the Hip-Hop game.	Hip Hop	16	1
160	Ned Douglas/DJ Syze-Up	Look	Hip-Hop beats with a crunchiness to them that gives any track some serious grit. You're going to want to play this kit from your MIDI controller, too.	Hip Hop	16	2
161	Ned Douglas/DJ Syze-Up	Muff	Tactile, downtempo rhythyms that sound just like early 90's Hip-Hop.	Hip Hop	6	1
162	Ned Douglas/DJ Syze-Up	NDL	These Hip-Hop beats sound just like Southern California in the summertime--circa '92.	Hip Hop	21	1
163	Ned Douglas/DJ Syze-Up	Rajput	If Electronic Bhangra beats are just your style, these triplet feel rhythms are right up your alley.	Hip Hop	10	2
164	Ned Douglas/DJ Syze-Up	Rok	The swung feel on these rhythms makes them so easy to loop . . . infinitely. So be careful, or you'll be bobbing your head for a long time.	Hip Hop	16	1
165	Ned Douglas/DJ Syze-Up	Sample	The band-passed kick in these grooves sounds almost like having a miniature robot playing drums for you--and his rhythms are just the right feel for some classic Trip Hop.	Hip Hop	14	2
166	Ned Douglas/DJ Syze-Up	Simple	These are about as basic as downtempo Hip-Hop beats can be--kick, hat, snare, with a laid-back feel.	Hip Hop	14	1
167	Ned Douglas/DJ Syze-Up	The Shake	The kick/snare combo in these Electronic beats have a satisfying, tactile feel that makes them a perfect pairing. Where one is wide and full-bodied, the other has a crunchy, noise-filtered tone.	Hip Hop	21	1
168	Ned Douglas/DJ Syze-Up	X	You'll be dishing out Freestyle tracks like it's still the early 90's in no time with these energetic, danceable beats.	Hip Hop	21	2
169	Sly Dunbar	Murder She Wrote	Classic Dancehall rhythms from a classic Dancehall tune. In this GrooveSet, Sly makes full use of his kit, switching up his snare rhythms with bongos, ride, and snare rim.	Reggae	66	41
170	Sly Dunbar	Need a Roof	Lovers Rock never sounded so good--sparse, downtempo sidestick patterns dominate these grooves, giving them an intimate feel. In true Sly style, subtle ghost notes give each loop some unique flair, and make them versatile enough to use for a Ska or slower Punk tune.	Reggae	57	48
171	Sly Dunbar	Africa	These classic, driving reggae rhytyms feature a warm kick paired with crunchy snare tone that cuts right through the mix. This GrooveSet makes it clear why punk and reggae cross over so neatly, and you could easily use these loops in both genres equally, making for a unique drum experience.	Reggae	43	27
172	Sly Dunbar	Black Sun Ska	These uptempo Ska beats beats aren't over the top or flashy, leaving lots of room in the mix for that horn section. They're all you need to get jammin'.	Ska	23	9
173	Sly Dunbar	Bull Pen	The kick drum sits right at the front of the mix in these reggae rhythms, making them ideal for dub or roots style tracks. Comes with that time-tested Sly-style shuffle, and lots of side stick.	Reggae	54	30
174	Sly Dunbar	Drop Legs	Featuring a cross stick with a heavy crack, these reggae rhythms have a dark and driving feel, making them perfect for Roots or Lovers Rock, but versatile enough to give even a Rock track some bite.	Reggae	48	31
175	Sly Dunbar	Ion Zion	A Reggae kit that demonstrates just how far the influences of this genre branch, including grooves that can match well with Rock and Hip-Hop equally.	Reggae	68	42
176	Sly Dunbar	J Guy	Essential Reggae or Ragga grooves for piecing together the perfect masterpiece.	Reggae	41	18
177	Sly Dunbar	Mash It Up	A timeless Reggae setup just waiting for you to throw it in your next Dancehall hit.	Reggae	19	15
178	Sly Dunbar	Nuff Drops	Reggae meets Bossanova influence in this modern day revival of two major genres in this GrooveSet.	Reggae	43	37
179	Sly Dunbar	Phoenix Ska	The pitched percussive elements fuse nicely with the definitive Reggae beats in this classic GrooveSet.	Ska	20	11
180	Sly Dunbar	Private Life	Powerful Reggaeton elements can be found in this exemplary Reggae kit.	Reggae	36	20
181	Sly Dunbar	Pull Up	This combo of Reggae and late 80's Funk is perfect for emulating hits spanning several decades of Pop influence.	Ska	69	20
182	Sly Dunbar	Sinsemilla	A Reggae GrooveSet created for those airy songs that are so smooth they tend to float \"up in smoke.\"	Reggae	29	26
183	Sly Dunbar	Sly Anthem	Mid-tempo Dancehall rhythms with a dark, cracking snare, and shuffling hi-hat. Included fills have tom rolls perfect for turnarounds, and a bit of stop time, perfect for giving your composition a bit of breathing room.	Reggae	25	15
184	Sly Dunbar	Sly Dance Hall	One of the most original GrooveSets you will hear. It's a blend of unique patterns and rhythms with other worldly textures. This kit will fit in most Dancehall but is perfect for Ragga.	Dance Hall	108	0
185	Sly Dunbar	Sly Here I Come	An electrifying snare drum reverberating over a classic Reggae kit.	Reggae	94	26
186	Sly Dunbar	Sly One Drop A	The hi-hats and snares tag team to deliver a unique kit that caters to a master shaper of dynamics.	Reggae	46	11
187	Sly Dunbar	Sly Straight Four	The Reggae take on \"four on the floor\" this kit emphasizes a \"marching\" sound to wake up your tracks.	Reggae	39	29
188	Sly Dunbar	So Good	Very subtle and intimate, you can hear every detail in this standard Reggae kit.	Reggae	75	20
189	Sly Dunbar	Sponji	Full of live energy and raw tone this Reggea kit is sure to get you groovin' in no time.	Reggae	47	22
190	Sly Dunbar	Try It	A genuine beauty, this GrooveSet has all of the basic beats to get you started on your journey to the Reggae hall of fame.	Reggae	55	20
191	Sly Dunbar	Wicked World Ska	This collection of rim shots and hi-hats hold down transitions in Ska and Reggae wonderfully and can fit perfectly when you want to travel to lower part of your songs dynamic range.	Ska	67	20
192	Song Beats	Songs	Song Beats has it all from Latin to Rock to Country, and these MIDI patterns are fully-customizable down to the very last \"ting\".	Rock	0	506
193	Stephen Perkins	Burst Like a Cloud	A lot of the prominent features of Pop Punk from the early 00's and beyond. Driving beats with familar stylings.	Alternative	137	14
194	Stephen Perkins	Modern Primitive	You got three quarter notes in this one and that's actually all you need because every beat is so big and rockin' that there isn't a need for any other instrument. Just throw these awesome Rock beats on the CD and you're good to go, or at least we think so.	Alternative	288	15
195	Stephen Perkins	The Plot Thickens	Energetic and easy to dance to these alternative beats are quality.	Alternative	102	13
196	Stephen Perkins	Vise Grip	Blurring the line between Punk and Alternative, this Rock GrooveSet is trailblazing a new genre all it's own.	Alternative	252	14
197	Terence Higgins	Bourbon Street Strut	Straight out of New Orleans these marching beats have that vibe and feel of something you would hear coming out of the Big Easy.	New Orleans	287	19
198	Terence Higgins	Dirty Dumpster	A very oustanding Second Line marching feel, this GrooveSet encapsulates the feel of New Orleans music.	New Orleans	165	18
199	Terence Higgins	Fix The Levee	Same great New Orleans feel, but with a straightforward downtempo Blues Rock vibe.	New Orleans	192	19
200	Terence Higgins	Go Go Grease	Traditional time signature and a New Orleans style flare, but with the attitude of Rock music just waiting for some tasty solos.	New Orleans	206	24
201	Terence Higgins	Nolafied	Consider yourself \"Nolafied\" these southern beats feature a nice subtle swing that have them geared towards New Orleans music aficianados.	New Orleans	312	21
202	Terence Higgins	Swampburn	Great for some old Jug Band instrumentation and good ol' downsouth Bluesy grooves.	New Orleans	336	19
203	Terence Higgins	Zigawho	A perfect marriage of swung grooves and New Orleans style Jazz beats, you'll have songwriting on your mind hours after you've heard the last snare hit.	New Orleans	269	19
204	Terry Bozzio	Dragged	The feel and vibe of some mid 90's Grunge is very prominent in these sophisticated alternative GrooveSets.	Alternative	159	8
205	Terry Bozzio	Four on the Floor	Four on the Floor makes this kit very adaptable, it can fit with Pop and Rock but easily work for Indie Rock and Hip-Hop.	Rock	387	13
206	Terry Bozzio	Rocked Punk	If you're looking for slowed down Ska-Punk grooves to hold down your Punk anthem then you've found the right place. Just add: Mohawk and chained wallet.	Punk	273	10
207	Terry Bozzio	Seven 8	If you're feeling introspective and your next grunge piece is a lullaby, then these simple and deep alternative beats will do your piece justice.	Alternative	180	10
208	Terry Bozzio	Six 8 Half Time	The intricate time signature and Bluesy vibe are great, but there's something dark and emotional about these downtempo beats. Pull them out for the special occasions.	Blues	223	10
209	Terry Bozzio	Slow Torture	If by \"Slow Torture\" you mean slowed down, in your face, Power Rock ballad beats tailored to hold down some Classic Rock jams then...yes, please sign me up.	Rock	171	10
210	Terry Bozzio	TBZ 5/4	Don't let the time signature scare you away, these beautifully massive progressive Rock beats will pull out the inner virtuoso in you.	Prog Rock	94	16
211	Terry Bozzio	TBZ Rock Shuffle	Ah, the timeless shuffle styling. Except this time it gets a nice Rock facelift.	Rock	205	19
212	Terry Bozzio	The Big Kit	The chimes in this kit are haunting and delightful, it's a very subtle and intimate Rock kit perfect for downtempo pieces.	Alternative	125	8
213	Tony Braunagel	TB 2nd Line Marches	Swung Funk beats with almost a Big Band era vibe to them they're massive and grooving.	Funk	44	19
214	Tony Braunagel	TB Beat Street	These beats work amazingly with upbeat southern blues, they have a hint of the elements that made Southern Blues and Rock and Roll so prominent in the middle of the 20th century.	New Orleans	20	5
215	Tony Braunagel	TB Boogaloo	With Funk influences, this upbeat kit is perfect for modern day Conscious Hip-Hop, with it's roots stemming back to the Golden Age of Hip-Hop.	Funk	58	16
216	Tony Braunagel	TB Shuffle	A nice slow bluesy shuffle, that works perfectly for Country music as well.	Blues	105	9
217	Tony Braunagel	TB Stax 1	Some pretty nice chugging grooves. Very organic kit, it can fit in Hip-Hop or Indie perfectly.	R & B	158	21
218	Tony Braunagel	TB Stumble	This is a very unique blues pattern it can fit as a transition or it can hold down the mainframe of a Blues piece.	Blues	38	8
219	Tony Braunagel	TB Swingy Brushes	The triplet feel is strong in this Bluesy kit. The brushes give it a very exclusive vibe.	Blues	111	0
220	Tony Braunagel	TB Train	Get your cowboy boots ready to shuffle because these Country grooves incorporate your favorite Country staples.	Country	52	12
221	Tony Braunagel	TB Vintage Groove	Easily the most addictive beats you're gonna hear all year. They're geared towards Rock, but don't let that limit you because these grooves will kill it in Indie Rock or Hip-Hop.	Rock	40	20
222	Urban GT	All Good	Golden Age Hip-Hop beats with a slight swing, guaranteed to lay a foundation for any emcee to freestyle over freely.	Hip Hop	0	10
223	Urban GT	Atlanta	The dirty south Rap style is represented with this energetic and upbeat Hip-Hop kit.	Hip Hop	0	11
224	Urban GT	Backtalk	This kit will talk back, it's got the attitude and the swagger to hold it's own but it's the throwback Hip-Hop vibe that will keep you hooked.	Hip Hop	0	10
225	Urban GT	Bling	You won't care about showing off any bling when you have Hip-Hop beats like this to get attention. They can fit in any Urban classic.	Hip Hop	0	10
226	Urban GT	Bring It	Club Hip-Hop beats that bring the heat. You're all set for the next dance hit with these energetic Hip-Hop loops.	Hip Hop	0	9
227	Urban GT	Chill	Laid-back old school Hip-Hop beats guaranteed to lay down the chill. They're relaxed and ready to be freestyled over.	Hip Hop	0	10
228	Urban GT	Dig It	Hip-Hop loops that everyone will dig they're hip and easy to mix within any beat.	Hip Hop	0	10
229	Urban GT	Elevator	Old-School Hip-Hop rhythm with a new school vibe sure to win over both old and new fans alike.	Hip Hop	0	8
230	Urban GT	Frantic	The hi-hat is the frantic aspect of this kit. It's quick and chopped running over a slowed down hip-Hop beat.	Hip Hop	0	10
231	Urban GT	Gin	Minimalistic New-School Hip-Hop beats that have an active and lively hi-hat pattern perfect for a big hook.	Hip Hop	0	10
232	Urban GT	Grapes	You can pick apart this swaying Hip-Hop classic pattern or you can play all at once for a catchy chorus, either way the beat knocks really hard.	Hip Hop	0	6
233	Urban GT	HalfTime	HalfTime Hip-Hop beat with a traditional pattern, it can work perfectly with RnB as well as slowed down Rap.	Hip Hop	0	10
234	Urban GT	HalfTime2	A true classic that was the signature sound of late 90's Pop RnB and Hip-Hop classics. You can now incorporate this style in your own productions for a revival of that classic sound.	Hip Hop	0	10
235	Urban GT	HHP Bumpin	This GrooveSet is definitely bumpin but it isn't just restricted to Hip-Hop it can be filtered for use in Funk and newer Indie Electronica.	Hip Hop	0	10
236	Urban GT	HHP Hopper	The club will be goin' up with this bouncing Club Hip-Hop kit. A crisp clap with a big kick make for perfect danceable beats.	Hip Hop	0	10
237	Urban GT	HipHop Classics 1	You now have direct access to the sounds that sculpted the musical movement of early Hip-Hop and changed a generation of music lovers. These classic rhythms are perfect for any throwback track.	Hip Hop	0	53
238	Urban GT	HipHop Classics 2	Drawing inspiration from the early beat making pioneers, these Old-School Classic Hip-Hop beats will have you channeling all of your Golden Age heroes.	Hip Hop	0	50
239	Urban GT	HipHop Classics 3	Back to the basics with this Classic Hip-Hop kit, you'll be cruisin down memory lane as you create new versions of beloved classics.	Hip Hop	0	50
240	Urban GT	HipHop Classics 4	You can't know where you're going unless you know where you've been. The influence from early day of the Hip-Hop game is alive in this GrooveSet. You'll be transcending boundaries in no time within your new beats.	Hip Hop	0	45
241	Urban GT	House Party	It's a House Party. Crank these Hip-Hop party beats up and get someone on the mic, but hurry before the neighbors call the cops.	Hip Hop	0	10
242	Urban GT	Juice	These beats definitely have the juice. They bring an old-school swing with the new feel of an electronic presence.	Hip Hop	0	10
243	Urban GT	Kickit	For when you're just tryin to kick it, nothing too crazy. Just some old-school Hip-Hop beats waiting to thrown in an homage to the beginning.	Hip Hop	0	10
244	Urban GT	Love	Flat out, you're gonna love these. They blend every successful quality of Hip-Hop percussion into one kit.	Hip Hop	0	10
245	Urban GT	Mad Hatter	You're not going crazy these beats are really that well done. The construction is half of the accomplishment, the original patterns are something completely different and completely amazing. Creativity sparks creativity and you'll definitely feel it with these original beats.	Hip Hop	0	10
246	Urban GT	Money	It might rule everything around me but the beats are king in this system and this catchy Hip-Hop drum kit is perfect example of why that is.	Hip Hop	0	10
247	Urban GT	No Sweat	No Sweat because these fast pace uptempo beats can work everywhere from Hip-Hop to mid 90's House music.	Hip Hop	0	10
248	Urban GT	Quarter Funk	The birthplace of Hip-Hop it's great to see the lineage in full swing and cooperating fully. This style of Hip-Hop beats can work perfectly with Funk just as easily.	Hip Hop	0	9
249	Urban GT	ReggaeHop	If you didn't already know, your options with these GrooveSets are unlimited. You have the ability to mix some amazing genre fields like Hip-Hop and Reggae like this beat collection demonstrates so elegantly.	Hip Hop	0	10
250	Urban GT	Shorty	You'll develop a bond with these addicting Hip-Hop beats because they will have your back no matter what. Any track you need them on, it's on. Slight swing, with a driving kick make them perfect for any opportunity.	Hip Hop	0	10
251	Urban GT	Sparse	There's no sparsity in quality here these beats are well constructed and convey all the emotions we've come to know and love when identifying Electronic Hip-Hop.	Hip Hop	0	10
252	Urban GT	Sugar	This beat is truly dynamic, even when it's just that hi-hat holding down a bar or two it just has that Hip-Hop attitude.	Hip Hop	0	10
253	Urban GT	Thumpin	That thumping four on the floor kick is great for progressive Hip-Hop but it can also hold down a Minimal House/Techno beat as well.	Hip Hop	0	10
254	Urban GT	Tight	An unconventional kick pattern will refresh you and give you brand new ideas in your approach to your songwriting with this classic Hip-Hop beat colection.	Hip Hop	0	10
255	Urban GT	Trunk	This one will really get the trunk shaking. The kick is out of this dimension and when it is in this dimension it's rockin' so hard that neighbors might get a little bit annoyed. Great for new and old school Hip-Hop productions alike.	Hip Hop	0	10
256	Urban GT	Upside	There's plenty of upside with this kit. You can virtually use it in anything you write. That's the mark of this truly versatile kit, it's so well constructed that it can fit almost anywhere you need it.	Hip Hop	0	10
257	Zoro	Z No Hurry	Eighth note swing with a knocking snare and distinctly rockabilly feel make these rhythms versatile enough to be used in anything from Hip-Hop to big band.	Rock	42	5
258	Zoro	Z Mean	Fast-paced Hip-Hop rhythms with a big room sound, and a knocking snare backbone.	Hip Hop	29	13
259	Zoro	Z HatStik	Just as its name implies, these grooves are built around the hi-hat and a cross stick snare hit. Use them on their own for a minimal, soulful groove, or layer on top of them, for a solid backbeat with lots of space for interesting fills and turnarounds.	Rock	20	8
260	Zoro	Z Rock A Billy	Rhythms in standard Rockabilly style--with deep Nashville influence, and a driving, punk Rock feel--these grooves are a little bit country, and quite a lot or Rock n' roll.	Rock	151	0
261	Zoro	Z Hops	Packing a snappy snare, booming kick, and funky hat rhythms, these mid-tempo grooves sound like they were lifted straight off an old Funk record, and chopped to just the right lengths for making beats reminiscent of the golden age of hip-hop.	Hip Hop	66	14
262	Zoro	Balladeer	Simple, downtempo drum rhythms perfect for crafting a soulful ballad, with plenty of complex fills for interesting turnarounds. Add reverb to create the perfect power ballad beat, or use these loops on the drier side for creating an intimate feel.	Ballad	93	25
263	Zoro	Big Rock	Elemental Rock beats varying in tempo from 90BPM to 120 BPM, with a distinct, eighth note feel, and complex fills that are ideal for building up tension. Especially ideal for tighter, smaller arrangements, with a distinct Rock edge.	Rock	149	18
264	Zoro	Crazy Eighths	Every loop in this GrooveSet features a rhythm based in a straight eighth note feel, with the hi-hat driving the beat, for a distinct, Funk feel. These loops are great for laying down a heavy backbeat or for modifying to create a bit of shuffle, and there's even some knocking cowbell on the quarter note, if you really feel like going deep.	Funk	128	20
265	Zoro	Grit Hop	Old school hip-hop style rhythms straight out of the 80's, with that classic swing and a triplet feel. These rhythms carry a big sound, with a dark snare tone, artfully-timed ghost notes, and booming kick sound.	Hip Hop	148	20
266	Zoro	Half Time Shuffle	Featuring sparse snare patterns over triplet hat rhythms, these loops in half-time have a 6/8 feel, while being soundly in 4/4, and are great for a wide wange of styles. Use the more sparse patterns for ballads, or use the tighter, more complex ones for building a hip-hop beat.	R & B	266	20
267	Zoro	Makin Love	Ballad-friendly grooves with a deep Funk feel, this GrooveSet features rhythms versatile enough to work well in an R&B tune, or an improvised jam.	R & B	88	12
268	Zoro	Meat n Taters	Hard-knocking elemental Funk rhythms, with a tight snare sound, and subtle ghost notes, make this GrooveSet very much the Meat n Taters of a Funky groove!	Funk	140	18
269	Zoro	Talkin Loud	Booming beats with a distinctly jazz-influenced shuffle, these rhythms nail the classic New York Hip-Hop sound from the early 90's, while still being versatile enough to sound equally at home in an R&B tune.	Funk	69	16
270	Zoro	Z Feel Da Funk	Swung Funk beats ripped straight out of the 70's, with snappy snare, plenty of crisp hi-hat, and tight overheads.	Hip Hop	47	22
271	Zoro	Z Get On Up	Classic 4/4 Hip-Hop beats with a dash of shuffle. These loops come with lots of big room sound, a cracking snare, and a kick that cuts right through the mix.	Funk	42	16
272	Zoro	Z Nawlins 2	A rich tom sound with driving snare rolls make these grooves ideal for creating a classic big band sound, and just like their name implies, expect that characteristic Nawlins jazz feel.	Funk	45	0
273	Zoro	Z Trashy	Fast-paced thrash metal style rhythms with lots of interplay between the open hi-hat and the ride cymbal. These loops carry an aggressive feel, and are great for grunge throwbacks.	Funk	48	9
274	Zoro	ZBluz	Dominated by a slow shuffle paired with a straight snare beat on the two and four, these grooves are an excellent compliment to the twelve bar blues format, varying from slow and soft to a driving cut time feel.	Blues	372	20

"I use DrumCore constantly when working on material these days, DrumCore parts shape many of my new music projects."
Chris Stein of Blondie

DrumCore 4 Ultra

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